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Izquierdo…is impeccable at showing a woman not quite ready for a casual fling after her husband’s death. Izquierdo has something of the beauty Hedy Lamar had in her ‘30s and ‘40s films.
— The Huffington Post
[Color Photo in the Arts Section] naming “…their beautiful friend Diana…
— The New York Times
...and Mikaela Izquierdo as the very attractive ‘other woman’, bring to the stage the style of acting that hasn’t been in fashion since the Lunts and Ina Claire went to their rewards.
— DC Metro Theater Arts
As Diana, Mikaela Izquierdo is entirely sympathetic. A marvelous, split-second pause when Anne indicates she’ll allow the affair couldn’t be better. Diana’s conscience and gratitude are both made palpable.
Izquierdo makes Diana a genuinely sympathetic creature, left frozen by her husband’s death and brought back to life by Stephen’s touch.
— Lighting and Sound America
...Walter’s long-absent daughter, Marley (Mikaela Feely-Lehmann, in an attention-getting performance).
— The New York Times
Mikaela Feely-Lehmann is especially fine...
— The New York Times
Feely-Lehmann kills in this scene, ludicrously drinking coffee creamer and beating the couch pillows together in an attempt to distract Barbara.
— TheaterMania
Feely-Lehmann suavely suggests Millie’s innate intelligence without overplaying.
— Talkin' Broadway
Mikaela Feely-Lehmann plays Millie with a shrewd sense of the characters’ two faces. It’s fascinating to watch as she switches back and forth between her public and private personas. Feely- Lehmann is also terrifically funny.
— American Theater Web
Standing out in smaller roles are... and Mikaela Feely-Lehmann as Vida’s open-minded, very French maid, [David] Auburn’s one new character.
— Backstage
There are also lovely contributions from...Mikaela Feely-Lehmann as a French Maid with a remarkable laissez-faire attitude toward matters of the heart.
— Lighting & Sound America